“School of Rock” U.S. Tour Review

When I found out I was going to see “School of Rock,” I did not think much about it. Little did I know that I was going to see a show that exceeded my expectations. Andrew Lloyd Webber, you have done it again.

I grew up listening to Andrew Lloyd Webber’s music, starting with “Cats.” A couple of years later I fell in love with “The Phantom of the Opera” and growing up I have seen several of Webber’s musicals at the Civic Center in Oklahoma City and/or on DVD.

Andrew Lloyd Webber’s latest musical, “School of Rock” has been running on Broadway for at least three years. When the soundtrack was released on iTunes, I bought it and I liked it. I saw the show that is on tour and it was amazing from start to finish.

Based on the film of the same name, “School of Rock,” is about Dewey (Rob Colletti), a man who dreams of becoming a rock star. After accepting a job as a substitute teacher at a private school, he sees potential in his students’ musical talents and turns them into a band.

Dewey also makes an impression on the school principal, Rosalie (Lexie Dorsett Sharp), who is one of the most relatable characters. She is strict and respected, but when Dewey enters her life, she is reminded that her inner child is still there.

The most beautiful part of the show’s storyline is how one teacher can change the lives of students and vice versa. Dewey’s students all want one thing: to be heard. By turning his class in to a band, Dewey gives them a voice and forms a bond with them.

The actors and actresses playing the students, are all incredible because they play their instruments live. The kids are at least nine through fifteen years old and play electric guitar, bass, keyboard and drums. There are no words to describe how talented the children are especially since they all have great voices and can act as well.

Besides the children, Rob Colletti as Dewey and Lexie Dorsett Sharp as Rosalie were fantastic. Colletti has a great voice and looked like he was having a blast. Sharp gave a fantastic performance and her character’s solo, “Where Did the Rock Go,” was amazing. I thought she fit the role perfectly.

It is a show with many messages and as a young adult, I find the song “Where Did the Rock Go” very relatable. It is a piece of music that makes me think about when I was a child and a teenager, “wild and bold and free.” But it also reminds me, my inner child is still in there.

The best part of attending the musical was the audience. They went into an enthusiastic applause after almost every number and were cheering as if they were attending a real rock concert. I honestly thought if the show did not go to the next scene after several seconds, the actors would have received a standing ovation.

Overall, the musical was amazing, and I was surprised that I liked it so much. I highly recommend this show to anyone who has not seen it. “School of Rock” is one of Andrew Lloyd Webber’s best and it is no wonder it is doing so well on Broadway. I would see it repeatedly if I had the chance.


Thoughts While Listening To “Love Never Dies”

Normally I write reviews over cast albums, but for this particular post, I thought it would be fun to write my thoughts as I listen to the “Love Never Dies” London Cast Recording.

The “Love Never Dies Soundtrack has been out since 2010 and includes the vocal talents of Ramin Karimloo (Phantom), Sierra Boggess (Christine) and Joseph Millson (Raoul) as the three main characters. The recording also features Sally Dexter as Madame Giry and Summer Strallen as Meg Giry. The music was composed by Andrew Lloyd Webber with lyrics by Glenn Slater.

While the musical is not as popular as “The Phantom of the Opera,” the score is amazing, however, some of the lyrics are laughable. So sit back and enjoy my thoughts as I listen to “Love Never Dies.”


Prologue (Love Never Dies)
I actually really like this song. It’s like in the beginning of “Phantom.” It’s slightly creepy and it leaves the audience wondering what happened that took place during the musical.

You tell Madame Giry, Fleck!

Why wasn’t this in the Australian production on DVD?

The Cony Island Waltz
I would skip this song, but the music is captivating. This is what happens when you listen to a musical by ALW.

That’s the Place That You Ruined, You Fool!
So… It’s Madame Giry’s fault?

Heaven By the Sea
This song means nothing to me.

Apparently Coney Island is extremely poplar and the Phantom is just as mysterious as ever.

Only For Him/Only For You
So, Meg wants the Phantom’s attention. HAHAHAHA!

Meg is obsessed with being a star.

This song is annoying.

Good vocals on that last, “You.”

The Ayrie
The score is so beautiful! One of my favorite songs on the soundtrack.

This is just an example of ALW’s genius and talent.

Till I Hear You Sing
“Ten long years.”

I love Ramin’s voice.

This song is so beautiful and so sad.

Phantom just wants Christine back.

Phantom: “Let hopes pass, let dream pass. Let them die! Without you what are they for?”
My feels!

Giry Confronts the Phantom/ ‘Til I Hear You Sing (Reprise)
Meg: Trying to get Phantom’s attention
Phantom: Doesn’t care

Phantom: “Careful Madame. You’re forgetting yourself.” Too late.

Madame Giry is MEAN! Stop reminding the Phantom of Christine and that she wasn’t there for the last ten years!

Phantom seems to have controlled his temper. Better to have him yell in your face than threaten or murder you.

Christine Disembarks
I know this number takes place weeks later, but how many?

Raoul is a jerk.

The journalists are annoying.

Arrival of the Trio/ Are You Ready to Begin?
This song is so short, but I love the minions and Raoul needs a chill pill.

What a Dreadful Town!
Poor Gustave just wants to play with his dad.

Stop yelling Raoul.

Christine is trying so hard to save her marriage.

I feel so bad for Christine. Poor girl didn’t sign up for this and Phantom didn’t let them go just so Raoul could be a terrible husband and father.

Look With Your Heart
Aw, I love this song.

Beneath a Moonless Sky
Love the intro music!

Christine has some serious backbone when she’s dealing with the Phantom.

Um… no comment on what they’re singing about. Beautiful voices though.

I wonder if they know their kid is in the other room.

Christine: “And I loved you. Yes, I loved you. I’d have followed anywhere you led. I woke to swear my love and found you gone instead.”
Nice going Phantom.

Once Upon Anther Time
Another sad, yet beautiful song.

Phantom: “Were it still that other time, I’d make time itself somehow bend. But now I’m not that strong and time keeps moving on.”
My feels!

They still love each other. It’s so sad!

“Mother Please, I’m Scared!”
I don’t think Phantom likes Gustave, since he thinks Gustave is Raoul and Christine’s child.

Dear Old Friend
Everyone hates each other, except Christine, who is the only happy one.

Nice job Madame Giry, you told Raoul the Phantom is still alive and is Christine’s boss.

Raoul: “I’ll deal with you later.”
Raoul, you JERK!

Meg: “Don’t play naïve.”
Meg is savage.

They can’t keep track of Gustave. Foreshadowing?

I love the minions.

Phantom is figuring it out.
“He plays like me.”
“He’s just ten years old.”

“Ten years oooooooooooold!”

Phantom: OMG

The Beauty Underneath
I can picture Gerard Butler rocking out to this song.

Basically the Phantom and Gustave have the same mind.

Phantom is already a proud father. It’s so adorable!

Don’t show him your face, Phantom!

Based on that scream, I’m just going to say Gustave is definitely his parents’ child.

The Phantom Confronts Christine
The truth is out!

Phantom: “My own flesh and blood. And even he recoils in horror from me. Just like his mother.”

Of course the Phantom is going to give Gustave his park, I don’t know why Madame Giry thought she was going to get it.

Ok, seriously what happened to Madame Giry in the last ten years? Did living in America make her greedy?

Entr’acte (Love Never Dies)
Not crazy about this song.

*Checks social media*

Why Does She Love Me?
Raoul is drunk and pouring his soul out.

I recently read that John Barrowman was going to play Raoul in LND, but was replaced by Joseph. Another article said John backed out due to complications with ALW. Now I want to hear John sing this song, however, I love Joseph’s version.

Well Raoul if you would get off your butt, stop drinking and spend more time with your family, maybe your marriage would be fine.

This song just proves that Raoul doesn’t have that bond that Christine and Phantom have.

Ugh, he’s so greedy.

Devil Take the Hindmost
I call this song, “Men Being Idiots.”

I can’t believe they’re betting over Christine. She’s not a trophy!

Raoul: “I won her long ago…”
No, Raoul. Christine saved you and then Phantom let you both leave. YOU were nearly hung because you forgot to keep your hand at the level of your eyes.

Phantom, I don’t think you’re the right person to tell Raoul that Gustave is not his child. Not your place buddy.

Raoul doesn’t care that he’s possibly going to loose his family until the end of the song.

Heaven By the Sea (Reprise)
Why am I listening to this?

Is the excitement surrounding the park and ensemble supposed to contrast against the bleak mood that surrounds the major characters?

Ladies… Gents! / The Coney Island Waltz (Reprise)

Bathing Beauty
*Skips song because I can’t stand it*

“Mother Did You Watch?”
Poor Meg.

Before the Performance
Gustave and Christine have the cutest mother/son relationship.

Christine: “Once this performance is through, we’ll spend some time just us two.”
This just makes the ending even more sad.

Raoul: “Just ask it of me.”
Too late for “All I Ask of You” references, Raoul.

Phantom comes in like, “Two can play at this game.”

Both men just want Christine and Gustave in their lives. If you both want Gustave, it’s called joint custody.

There’s no question Christine will choose Phantom over Raoul at this point. He seems to understand her on a level that Raoul doesn’t and never will. Proof that this musical is for Phantom/Christine shippers.

Love that they added “Twisted Every Way.”

Devil Take the Hindmost (Quartet)
This song is basically “The Final Lair” without the Phantom’s temper and Raoul’s life being threatened.

Phantom and Raoul: “Do it for our son.”
Seriously boys, it’s called joint custody.

Phantom, Raoul, Madame Giry: “All is on the line.”
They got that right.

Random stage manager: “And curtain.”

Love Never Dies
Long, boring intro. It goes on for over a minute, geez.

This song reminds me of the events in “Phantom.” Are they trying to excuse the Phantom’s actions, or am I just overthinking?

As much as I love this song, nothing will beat “The Phantom of the Opera,” when it comes to title songs.

Sierra set the bar high for this one.

“Ah, Christine…”
Phantom and Christine are officially reunited (and it feels so good).

Bye, Raoul.

Raoul: “Romantic idiots.”
Didn’t look so idiotic in “Phantom.” Everyone is so out of character.

“Gustave! Gustave!…”
Phantom is in worried daddy mode.

Phantom is actually scary in this number.

Phantom: “My patence is running dry!”
Yeah, you don’t want to mess with the Phantom’s patience.

Phantom: “Gustave, Gustave, Gustave!”
Holy cow. Not going to lie, Ramin nailed those screams.

How does Phantom know where Meg took Gustave? Oh, the bar scene in “Why Does She Love Me,” when Meg was talking about the sea and Phantom was waiting to make his appearance. I can’t believe I just now figured that out.

“Please Miss Giry, I Want to Go Back…”
Let him go Meg, he’s just a kid.
She has really lost it at this point.

Phantom: “What are you saying?”
Phantom, are your mask  and wig on too tight? She basically pulled a Fantine to help with your park.

Phantom: “We can’t all be like Christine.”
*Face palm* Nice going Phantom.

Christine: “Your real father.”
LND, a musical “Star Wars.”

Is ALW trying to say that Phantom and Christine can never be together?

I feel so bad for Phantom. Christine is dying, he’s now a single father to a child he just met a few days ago and he was only happy for a few minutes.

I would turn this song off, but the score is so pretty.

Okay, it’s over now and I’m sad.

“Anastasia” Original Broadway Cast Recording Review

It is finally here! The “Anastasia” Broadway cast recording is out after months of anticipation. 90’s and early 2000 kids can now rejoice and go on a journey to the past.

The Broadway adaption of “Anastasia” is based on the 1997 animated film of the same name. The soundtrack includes original songs made for the stage version. Among new music are the classics such as, “Once Upon a December” and “Journey to the Past” from the movie.

The original cast recording features Christy Altomare as Anastasia/Anya, Derek Klena as Dmitry and Mary Beth Peil as Dowager Empress Maria Feodorovna. The album also includes John Bolton as Vlad and Ramin Karimloo as Gleb, a new character replacing Rasputin from the 1997 film.

Christy Altomare’s voice is phenomenal. She does Liz Calloway justice, especially in “Journey to the Past” and “Once Upon a December.” The new song, “In My Dreams” is fantastic and Altomare put so much emotion into the recording.

Derek Klena has a very impressive vocal range and sounds almost exactly like John Dokuchitz (singing voice for Dmitry in film). Klena’s voice really shines in the new songs, “In a Crowd of Thousands” and “My Petersburg.”

One of the most popular villain songs, “In the Dark of the Night” is not included in the Broadway cast album. However, the new song, “Still” is hauntingly beautiful and Ramin Karimloo nailed it. He put a lot of emotion into “The Neva Flows” and he really showed  his vocal power in “Still/The Neva Flows (Reprise).”

Mary Beth Peil’s solo, “Close the Door,” is heartbreakingly beautiful. Unfortunately, she only sang a few songs on the soundtrack, but that does not take away how wonderful her voice is. John Bolton did a fantastic job with the recording as well. His voice shines in every song he sang on the album.

The new songs are amazing and the few from the film did not let me down. The cast did a phenomenal job and I can only imagine what it would be like to see the show on stage.

I have grown up with Disney films and several musicals, but there is something about “Anastasia” that absolutely stunning and the Original Broadway Cast Recording is even more so. It is a must have for those who grew up with the 1997 movie.

“Beauty and the Beast” 2017 Film Review

Belle is a young woman who lives in a small town with her father, Maurice. When her father becomes a hostage in a enchanted castle, she takes his place. While there she becomes close to the Beast, a prince who was put under a curse along with his faithful servants. As the time passes, Belle and the Beast learn about each other and fall in love.

Based on the 1991 animated version of the same name, the new “Beauty and the Beast” is nothing short of amazing and lives up to it’s counterpart. The 2017 film includes new songs with music from the original.

The cast includes Emma Watson (“Harry Potter” and “Perks of Being a Wallflower”) as Belle, Dan Stevens (“Downtown Abbey”) as the Beast, Luke Evans (“Dracula Untold”) as Gaston, Ian McKellen as Cogsworth with Emma Thomson (“Harry Potter”  and “Nanny McPhee”) as Mrs. Potts and Kevin Kline as Maurice. The film also includes the musical talents of Audra McDonald (“Sound of Music Live”) as Madame Garderobe, Ewan McGregor (“Star Wars” and “Moulin Rouge”) as Lumiere and Josh Gad (“Frozen”) as Le Fou.

While a majority of the cast were perfect vocal and acting wise, Watson’s singing was not up to par. Her voice sounded auto-tuned during some parts and it was cringe worthy. However, she looked like Belle and did a great job portraying the famous Disney character.

Luke Evans was perfect as Gaston. He had the look, as well as the singing and speaking voice. The same goes for Ewan McGregor as Lumiere. It was great to hear the latter sing in another musical film, especially since he sang one of the biggest numbers in the movie.

Speaking of the biggest numbers, the title song is one of the most famous songs in Disney history. “Beauty and the Beast,” was originally sung by Angela Lansbury who voiced Mrs. Potts in the animated version, so naturally all ears were going to be directed at Emma Thomson in the live action remake. While no one can beat the original, Thomson did a great job. Audiences will not be disappointed.

Other impressive performances were from Tony winner, Audra McDonald, who has a phenomenal voice. Josh Gad did a great job as Le Fou and Dan Stevens was amazing as the Beast.

The remake did a fantastic job staying true to the original version. There were new scenes added that were necessary for the story, which included the characters’ past and more information about the curse. There was also more progression in Belle and the Beast’s relationship.

There was a lot of controversy on social media about Le Fou being a gay man in this version and that there would be a scene to confirm it. After watching the movie, I can honestly say the “gay scene” was no big deal. It was so short that if you blinked, you would miss it and it will go right over kids’ heads.

The movie was visually stunning. I was in awe the entire time because everything looked amazing. It really felt as if “Beauty and the Beast” was brought to life in this live action version. The music was great and the cast did a phenomenal job. It is the best Disney remake I have seen so far and people who grew up watching the original will not be disappointed.

Why I Love Musicals

Anyone who knows me personally, or via my twitter account, knows that I am a huge fan of musical theater and my dream is to one day be a critic for Broadway shows. But not everyone knows how I became interested in musicals or why I love them so much.

Growing up, I watched a ton of Disney movies, but I also watched “The Wizard of Oz,” “Annie,” “The Sound of Music” and “My Fair Lady.” While these films were, and still are, my all time favorites, my love for musicals did not begin until I saw something that, in my opinion, was entirely different.

When I was around six-years-old my mom and stepdad (who at the time was my mom’s boyfriend), recorded the musical “CATS” when it was on television one night and my mom decided to introduce me to it. She only showed me a few scenes on the VHS tape, but that was enough to get me hooked. Next thing I knew I was watching the entire film while dancing to it, especially when Rum Tum Tugger came on the screen. Love him!

That’s right. It was not Julie Andrews, Judy Garland, Carol Burnett or even Bernadette Peters and Tim Curry I danced to. It was John Partridge and his awesome shoulder shake.

I saw my first live musical with my grandparents when I was about eight. The show was “Beauty and the Beast.” I remember we were in the high seats and I had to use binoculars to see the what was happening, but I did not use them most of the time.

“Beauty and the Beast” was good, but at eight-years-old I did not really think about it or the cast. I remember wondering about the song “Human Again” because it was not in the Disney cartoon, so I was a little confused, but I went with it.

Another wonderful thing happened when I was eight-years-old. I discovered the music from “The Phantom of the Opera” on a Andrew Lloyd Webber CD in my mom’s car. There were only three songs from the musical on the album, but that is all it took for me to become obsessed with yet another one of Webber’s works. Needless to say the title song, “Music of the Night” and “All I Ask of You” were on repeat every time I was in the car. Sorry mom.

Two years later I had the opportunity to see “The Phantom of the Opera” on stage. The show was on tour and me, my mom and our family friend went to go see it. I remember the auctioneer was creepy, the cast was great and the thing that boggled my mind the most was the Phantom was the “bad guy.” You can imagine my confusion when the audience started cheering for him at curtain call. I did not fully grasp the meaning of the musical and it’s characters until I was in high school, but until that time I loved the music.

When I was 14, I got to see “The Phantom of the Opera” in New York. It was the first show I got the chance to see on Broadway and to this day I am still happy about it. This show has a special place in my heart and will always be my favorite musical.

“CATS” was not only the show that got my passion started, but when I was watching the DVD in high school I began to realize how much work was involved behind the scenes, mainly, the costumes, makeup, choreography, etc. That was when I really started to appreciate what goes into making a musical.

Fast forward. I was 19, in college and oh, my gosh! The stage recording of the “Phantom” 25th anniversary was going to be on DVD! My mom bought it for me after I asked and I spent my Valentine’s Day watching it. Who needs a date when you have “Phantom?”

Once again, I had a epiphany. Thanks to the close ups on the DVD I was able to see the orchestra and I was suddenly hit with appreciation for them, because I never gave much thought to the people who play the music. I was in awe of everything. Ramin’s “Music of the Night” made me recognize acting abilities and Sierra’s “Wishing” and “Wandering Child” made me think about vocals and range. Hadley Fraser was a joy to watch because of his facial expressions, powerful voice and charming smile.

Because of two actors who were involved in “Phantom” 25, I wanted to watch the hit musical, “Les Misérables,” which was filmed as a concert recording and had been released on DVD two years prior.

A bit of history. My mom tried to get me to listen to the “Les Misérables” soundtrack when I was at least 10. She saw it in London with my stepdad and thought I would like it. I looked it up, but it did not appeal to me and the title made it sound miserable.

Looking back now, I can honestly say I am glad I was older when I discovered the”Les Misérables.” As I was watching the 25th anniversary on DVD, I fell in love with it. The music was astonishing, the story was phenomenal and the actors, with the exception of Nick Jonas, blew me away. I also fell in love with the characters and was introduced to more actors.

I saw “Les Misérables” live for the first time in 2012 and I was very excited. It was on tour and the film version was set to be released later that year. Perfect timing! The musical was even more beautiful in person and the cast was amazing. A couple of years later I was able to see the the revival on Broadway and got the chance to meet Ramin Karimloo.

As my college years went by I saw more shows and my love for theater grew. I bought albums by actors and cast recordings. I paid attention to Broadway and touring group news, got more DVDs and read more books that musicals and plays were based on. Some were for class, others for enjoyment. My bedroom walls are now covered with posters and a few have not been framed yet.

When I started to learn more about musicals and actors in college, my family told me I should do something with my passion, but I did not know what and shrugged them off.  It was not until later I decided I wanted to be a critic.

Once I changed my major to journalism and my minor to theater, everyone I knew thought it was a better fit for me. It was a long process (or so it seemed), but I finally graduated in December of 2015.

I graduated college with a higher respect for the arts because of classes I took, productions I helped with (I was always on crew) and my love for musicals intact. I can now say I do not just appreciate theater, but rather all forms of art.

Here is a reflection of what I have learned:

Writers pour out their souls and artists make theirs visible. Photographers capture moments and must choose several perfect photos out of the hundreds they take. Musicians work hard as they continue to play, read, write music and/or sing. No matter what form it is in, the arts matter.

Why do I love musicals? Because they tell a story, they inspire people and they are a joy to watch. The cast and crew work hard and I have learned to appreciate them. I fell in love with musical theater at a young age and it just grew from there. Eventually, it was something I had a passion for and wanted to critique. It all started with “CATS” and “Phantom.”

“Fantastic Beasts and Where To Find Them” Review



Witness the magic of J.K. Rowling’s world of “Harry Potter” once more in “Fantastic Beasts and Where To Find Them.” The film stars Oscar winner, Eddie Redmayne (“Les Misérables,” “The Theory of Everything” and “The Danish Girl”) as Newt, Katherine Waterston (“Steve Jobs”) as Tina, Alison Sudol as Queenie, Dan Fogler as Kowalski and Colin Ferrell as Graves. The movie is Rowling’s screen writing debut and was directed by David Yates.

Taking place before the events of the original “Harry Potter” stories, “Fantastic Beasts and Where To Find Them” revolves around Newt Scamander, a wizard from London who sets sail to America with a suitcase full of magical creatures. Chaos ensues when some of Newt’s animals escape and magic is on the verge of being exposed to “No-majs” (non-magical people).

Eddie Redmayne was amazing as Newt. He did a great job portraying the character as a shy and somewhat reserved man, but it was very clear how much he loved and cared about his creatures. Newt is one of the best heroes in the “Harry Potter” universe, because not only is he relatable, he has a good heart.

Dan Fogler did a great job as Jacob Kowalski, a No-maj who gets thrown into the magical world he never knew existed and becomes friends with Newt. Kowalski was a perfect new character for the “Harry Potter” universe. He is funny, smart and Fogler portrayed him wonderfully as man in awe of everything involving magic. We were all Jacob at one point, even Harry Potter himself.

Katherine Waterston and Alison Sudol were great as the two sisters Tina and Queenie. Tina was the introduction to the American wizard world and explains the laws to Newt. She is stern and obeys the wizard laws, but is also compassionate.  Queenie is Tina’s sister, who is quick to befriend Newt and Jacob and is more carefree. Waterston and Sudol did a great job playing two different characters who balance each other out.

Colin Ferrell did a good job as Graves, an Auror who is in charge of finding the magical creatures and arresting Newt for releasing them. All the while he is trying to protect wizards and the world of magic from being discovered by No-majs.

The best thing about “Fantastic Beasts and Where To Find Them” is the audience does not have to see the “Harry Potter” films or have read the books to understand what is happening. This film is it’s own separate story with a different setting and new phrases. J.K. Rowling did a great job introducing fans and non-fans to America’s world of magic.

Unlike most of my friends, I did not grow up reading “Harry Potter” or watching the films. When I finally read the first book it did not take long for me to start the second and so on. Once I finished all seven novels I watched the movies on DVD and like most people I know, I was very excited when the script for the West End production of “Cursed Child” was released in book form.

Going to see “Fantastic Beasts and Where to Find Them”in theaters  was a whole new experience for me because I finally understood the hype. What made it even better was I got to watch it with my best friend who loves that I became a “Harry Potter” fan.

“Fantastic Beasts” is something new that still gives the feeling that we (the fans) are watching a story from the “Harry Potter” universe. Since the setting is in America, we are learning new phrases, seeing what the American wizard world is like and are introduced to new characters. It is a great spin-off, with a phenomenal cast and I, like many others, am anxiously waiting for the sequel.

“Phantom of the Opera” 30th Anniversary Finale Performance

After hours of anticipation, “The Phantom of the Opera’s” 30th anniversary finale performance was live streamed on FaceBook on October 10, 2016. The event was live streamed so that  people from all around the world with access to the popular social media account could watch the video live on the show’s page.

The special event took place in London at Her Majesty’s Theatre after the show ended for the night. It featured current and former “Phantom” actors, as well as the creator and composer, Andrew Lloyd Webber with producer, Cameron Mackintosh.

The event started with a video of some history and former interviews. Then, two of the cast members literally unveiled Andrew Lloyd Webber and Cameron Mackintosh. The two gentlemen went on to talk about the original cast, the music and failed attempts with live animals and robotic rats. It was very easy to tell the two are close and have been friends for a long time.

After the two finished speaking, Webber went to his piano and out came Sierra cuczpkbueaarknw-jpg-smallBoggess, an actress who has played Christine several times in various productions, including the 25th Anniversary, which was filmed and released on DVD. Boggess is a current cast member of the Paris production, which has unfortunately been delayed.

Boggess gave a beautiful French rendition of “Wishing You Were Somehow Here Again” and switched to English for the last verse. I do not speak French so I could not tell if her pronunciation was correct or not, but she sang beautifully. Her voice has definitely improved since the “Phantom” 25th anniversary release.

Just when you think it cannot get any better, former London Raoul,  Michael Ball, stepped out to sing “All I Ask of You” along with current cast members Celinde Schoenmaker (Christine) and Nadim Naaman (Raoul). Not only was the trio incredibly talented, but they were also hilarious.

Ball came in with his big, beautiful voice, all the while having fun with the song by havingcufjszyueaijeju-jpg-small a “bromance” moment with Webber, who was at the piano. Schoenmaker came in for the next verse, then Naaman and the two Raouls started playfully fighting over Christine. It ended with Ball and Naaman pushing Schoenmaker aside and fishing the last chorus while embracing. Can you say Raoul-mance?

After the most hilarious version of “All I Ask of You” I have ever seen, the title song began to play and current cast members, Celinde Schoenmaker and Ben Forster (Phantom) entered, then the members of the Paris production, Sierra Boggess (Christine) and Gardar Thor Cortes (Phantom). Joining the two duos was former Phantom, John Owen-Jones and current standby for the title role, Scott Davis.

The two Christines and four Phantoms were absolutely amazing. Cortes and Boggess were fantastic. It was nice to hear the Paris cast sing a couple of the lines in French. Schoenmaker and Forster were mesmerizing and had the best chemistry. John Owen-Jones was perfect and Davis was great. I cannot imagine a better sextet (group of six people).

The final number was a short version of “Masquerade” with the cast. Once it was over, the special guests and original cast and crew, including Michael Crawford, came out to sing “Happy Birthday” to the show.

Overall, the finale was amazing. My only complaint is that the four Phantoms did not sing the hit song, “Music of the Night,” which would have been lovely to hear in French by Cortes and we would have been able to hear the actors’ individual voices.

I loved watching the cast members perform and it was great to get a little taste of the Paris production. I feel extremely thankful to have been one of many to watch the finale live stream on FaceBook alongside many other fans. Here’s to 30 more years “Phantom.”