Thoughts While Listening To “Love Never Dies”

Normally I write reviews over cast albums, but for this particular post, I thought it would be fun to write my thoughts as I listen to the “Love Never Dies” London Cast Recording.

The “Love Never Dies Soundtrack has been out since 2010 and includes the vocal talents of Ramin Karimloo (Phantom), Sierra Boggess (Christine) and Joseph Millson (Raoul) as the three main characters. The recording also features Sally Dexter as Madame Giry and Summer Strallen as Meg Giry. The music was composed by Andrew Lloyd Webber with lyrics by Glenn Slater.

While the musical is not as popular as “The Phantom of the Opera,” the score is amazing, however, some of the lyrics are laughable. So sit back and enjoy my thoughts as I listen to “Love Never Dies.”

 

Prologue (Love Never Dies)
I actually really like this song. It’s like in the beginning of “Phantom.” It’s slightly creepy and it leaves the audience wondering what happened that took place during the musical.

You tell Madame Giry, Fleck!

Why wasn’t this in the Australian production on DVD?

The Cony Island Waltz
I would skip this song, but the music is captivating. This is what happens when you listen to a musical by ALW.

That’s the Place That You Ruined, You Fool!
So… It’s Madame Giry’s fault?

Heaven By the Sea
This song means nothing to me.

Apparently Coney Island is extremely poplar and the Phantom is just as mysterious as ever.

Only For Him/Only For You
So, Meg wants the Phantom’s attention. HAHAHAHA!

Meg is obsessed with being a star.

This song is annoying.

Good vocals on that last, “You.”

The Ayrie
The score is so beautiful! One of my favorite songs on the soundtrack.

This is just an example of ALW’s genius and talent.

Till I Hear You Sing
“Ten long years.”

I love Ramin’s voice.

This song is so beautiful and so sad.

Phantom just wants Christine back.

Phantom: “Let hopes pass, let dream pass. Let them die! Without you what are they for?”
My feels!

Giry Confronts the Phantom/ ‘Til I Hear You Sing (Reprise)
Meg: Trying to get Phantom’s attention
Phantom: Doesn’t care

Phantom: “Careful Madame. You’re forgetting yourself.” Too late.

Madame Giry is MEAN! Stop reminding the Phantom of Christine and that she wasn’t there for the last ten years!

Phantom seems to have controlled his temper. Better to have him yell in your face than threaten or murder you.

Christine Disembarks
I know this number takes place weeks later, but how many?

Raoul is a jerk.

The journalists are annoying.

Arrival of the Trio/ Are You Ready to Begin?
This song is so short, but I love the minions and Raoul needs a chill pill.

What a Dreadful Town!
Poor Gustave just wants to play with his dad.

Stop yelling Raoul.

Christine is trying so hard to save her marriage.

I feel so bad for Christine. Poor girl didn’t sign up for this and Phantom didn’t let them go just so Raoul could be a terrible husband and father.

Look With Your Heart
Aw, I love this song.

Beneath a Moonless Sky
Love the intro music!

Christine has some serious backbone when she’s dealing with the Phantom.

Um… no comment on what they’re singing about. Beautiful voices though.

I wonder if they know their kid is in the other room.

Christine: “And I loved you. Yes, I loved you. I’d have followed anywhere you led. I woke to swear my love and found you gone instead.”
Nice going Phantom.

Once Upon Anther Time
Another sad, yet beautiful song.

Phantom: “Were it still that other time, I’d make time itself somehow bend. But now I’m not that strong and time keeps moving on.”
My feels!

They still love each other. It’s so sad!

“Mother Please, I’m Scared!”
I don’t think Phantom likes Gustave, since he thinks Gustave is Raoul and Christine’s child.

Dear Old Friend
Everyone hates each other, except Christine, who is the only happy one.

Nice job Madame Giry, you told Raoul the Phantom is still alive and is Christine’s boss.

Raoul: “I’ll deal with you later.”
Raoul, you JERK!

Meg: “Don’t play naïve.”
Meg is savage.

They can’t keep track of Gustave. Foreshadowing?

Beautiful
I love the minions.

Phantom is figuring it out.
“He plays like me.”
“He’s just ten years old.”

“Ten years oooooooooooold!”

Phantom: OMG

The Beauty Underneath
I can picture Gerard Butler rocking out to this song.

Basically the Phantom and Gustave have the same mind.

Phantom is already a proud father. It’s so adorable!

Don’t show him your face, Phantom!

Based on that scream, I’m just going to say Gustave is definitely his parents’ child.

The Phantom Confronts Christine
The truth is out!

Phantom: “My own flesh and blood. And even he recoils in horror from me. Just like his mother.”
OUCH!

Of course the Phantom is going to give Gustave his park, I don’t know why Madame Giry thought she was going to get it.

Ok, seriously what happened to Madame Giry in the last ten years? Did living in America make her greedy?

Entr’acte (Love Never Dies)
Not crazy about this song.

*Checks social media*

Why Does She Love Me?
Raoul is drunk and pouring his soul out.

I recently read that John Barrowman was going to play Raoul in LND, but was replaced by Joseph. Another article said John backed out due to complications with ALW. Now I want to hear John sing this song, however, I love Joseph’s version.

Well Raoul if you would get off your butt, stop drinking and spend more time with your family, maybe your marriage would be fine.

This song just proves that Raoul doesn’t have that bond that Christine and Phantom have.

Ugh, he’s so greedy.

Devil Take the Hindmost
I call this song, “Men Being Idiots.”

I can’t believe they’re betting over Christine. She’s not a trophy!

Raoul: “I won her long ago…”
No, Raoul. Christine saved you and then Phantom let you both leave. YOU were nearly hung because you forgot to keep your hand at the level of your eyes.

Phantom, I don’t think you’re the right person to tell Raoul that Gustave is not his child. Not your place buddy.

Raoul doesn’t care that he’s possibly going to loose his family until the end of the song.

Heaven By the Sea (Reprise)
Why am I listening to this?

Is the excitement surrounding the park and ensemble supposed to contrast against the bleak mood that surrounds the major characters?

Ladies… Gents! / The Coney Island Waltz (Reprise)
Boring.

Bathing Beauty
*Skips song because I can’t stand it*

“Mother Did You Watch?”
Poor Meg.

Before the Performance
Gustave and Christine have the cutest mother/son relationship.

Christine: “Once this performance is through, we’ll spend some time just us two.”
This just makes the ending even more sad.

Raoul: “Just ask it of me.”
Too late for “All I Ask of You” references, Raoul.

Phantom comes in like, “Two can play at this game.”

Both men just want Christine and Gustave in their lives. If you both want Gustave, it’s called joint custody.

There’s no question Christine will choose Phantom over Raoul at this point. He seems to understand her on a level that Raoul doesn’t and never will. Proof that this musical is for Phantom/Christine shippers.

Love that they added “Twisted Every Way.”

Devil Take the Hindmost (Quartet)
This song is basically “The Final Lair” without the Phantom’s temper and Raoul’s life being threatened.

Phantom and Raoul: “Do it for our son.”
Seriously boys, it’s called joint custody.

Phantom, Raoul, Madame Giry: “All is on the line.”
They got that right.

Random stage manager: “And curtain.”
Hahaha.

Love Never Dies
Long, boring intro. It goes on for over a minute, geez.

This song reminds me of the events in “Phantom.” Are they trying to excuse the Phantom’s actions, or am I just overthinking?

As much as I love this song, nothing will beat “The Phantom of the Opera,” when it comes to title songs.

Sierra set the bar high for this one.

“Ah, Christine…”
Phantom and Christine are officially reunited (and it feels so good).

Bye, Raoul.

Raoul: “Romantic idiots.”
Didn’t look so idiotic in “Phantom.” Everyone is so out of character.

“Gustave! Gustave!…”
Phantom is in worried daddy mode.

Phantom is actually scary in this number.

Phantom: “My patence is running dry!”
Yeah, you don’t want to mess with the Phantom’s patience.

Phantom: “Gustave, Gustave, Gustave!”
Holy cow. Not going to lie, Ramin nailed those screams.

How does Phantom know where Meg took Gustave? Oh, the bar scene in “Why Does She Love Me,” when Meg was talking about the sea and Phantom was waiting to make his appearance. I can’t believe I just now figured that out.

“Please Miss Giry, I Want to Go Back…”
Let him go Meg, he’s just a kid.
She has really lost it at this point.

Phantom: “What are you saying?”
Phantom, are your mask  and wig on too tight? She basically pulled a Fantine to help with your park.

Phantom: “We can’t all be like Christine.”
*Face palm* Nice going Phantom.

Christine: “Your real father.”
LND, a musical “Star Wars.”

Is ALW trying to say that Phantom and Christine can never be together?

I feel so bad for Phantom. Christine is dying, he’s now a single father to a child he just met a few days ago and he was only happy for a few minutes.

I would turn this song off, but the score is so pretty.

Okay, it’s over now and I’m sad.

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“Phantom of the Opera” 30th Anniversary Finale Performance

After hours of anticipation, “The Phantom of the Opera’s” 30th anniversary finale performance was live streamed on FaceBook on October 10, 2016. The event was live streamed so that  people from all around the world with access to the popular social media account could watch the video live on the show’s page.

The special event took place in London at Her Majesty’s Theatre after the show ended for the night. It featured current and former “Phantom” actors, as well as the creator and composer, Andrew Lloyd Webber with producer, Cameron Mackintosh.

The event started with a video of some history and former interviews. Then, two of the cast members literally unveiled Andrew Lloyd Webber and Cameron Mackintosh. The two gentlemen went on to talk about the original cast, the music and failed attempts with live animals and robotic rats. It was very easy to tell the two are close and have been friends for a long time.

After the two finished speaking, Webber went to his piano and out came Sierra cuczpkbueaarknw-jpg-smallBoggess, an actress who has played Christine several times in various productions, including the 25th Anniversary, which was filmed and released on DVD. Boggess is a current cast member of the Paris production, which has unfortunately been delayed.

Boggess gave a beautiful French rendition of “Wishing You Were Somehow Here Again” and switched to English for the last verse. I do not speak French so I could not tell if her pronunciation was correct or not, but she sang beautifully. Her voice has definitely improved since the “Phantom” 25th anniversary release.

Just when you think it cannot get any better, former London Raoul,  Michael Ball, stepped out to sing “All I Ask of You” along with current cast members Celinde Schoenmaker (Christine) and Nadim Naaman (Raoul). Not only was the trio incredibly talented, but they were also hilarious.

Ball came in with his big, beautiful voice, all the while having fun with the song by havingcufjszyueaijeju-jpg-small a “bromance” moment with Webber, who was at the piano. Schoenmaker came in for the next verse, then Naaman and the two Raouls started playfully fighting over Christine. It ended with Ball and Naaman pushing Schoenmaker aside and fishing the last chorus while embracing. Can you say Raoul-mance?

After the most hilarious version of “All I Ask of You” I have ever seen, the title song began to play and current cast members, Celinde Schoenmaker and Ben Forster (Phantom) entered, then the members of the Paris production, Sierra Boggess (Christine) and Gardar Thor Cortes (Phantom). Joining the two duos was former Phantom, John Owen-Jones and current standby for the title role, Scott Davis.

The two Christines and four Phantoms were absolutely amazing. Cortes and Boggess were fantastic. It was nice to hear the Paris cast sing a couple of the lines in French. Schoenmaker and Forster were mesmerizing and had the best chemistry. John Owen-Jones was perfect and Davis was great. I cannot imagine a better sextet (group of six people).

The final number was a short version of “Masquerade” with the cast. Once it was over, the special guests and original cast and crew, including Michael Crawford, came out to sing “Happy Birthday” to the show.

Overall, the finale was amazing. My only complaint is that the four Phantoms did not sing the hit song, “Music of the Night,” which would have been lovely to hear in French by Cortes and we would have been able to hear the actors’ individual voices.

I loved watching the cast members perform and it was great to get a little taste of the Paris production. I feel extremely thankful to have been one of many to watch the finale live stream on FaceBook alongside many other fans. Here’s to 30 more years “Phantom.”

“Phantom of the Opera” Book v. Musical

Have you ever seen a musical and then read the book it was based on, or vice versa?

If you have, you might have noticed some big or small differences in the story lines. This is true for the musical based on the novel, “The Phantom of the Opera.”

The book was written and published by Gaston Leroux, a French novelist, in 1909. A British composer, Andrew Lloyd Webber, made the novel come alive on stage with a musical production in 1986. It continues to be one of the longest running shows on London’s West End and on New York’s Broadway.

The storyline for both the musical and novel are the same. A man with a deformed face is in love with a young Swedish soprano, Christine Daaé, who he gives vocal lessons to. Christine falls in love with her childhood sweetheart, Raoul de Changy, who returns the same feelings. Danger approaches when the Phantom’s orders are disobeyed and the two lovers become closer.

While some details in the novel and musical remain the same, there are a lot of differences. However, a couple of details from the novel were added to the 2004 movie, based on Webber’s stage production. One example is the maze of mirrors, which was mentioned in the stage adaption, but came to life in the film.

One of the biggest differences between the novel and the musical, is the Phantom’s deformity. In the book the deformity covers his entire face and he is forced to wear a full face mask. In the stage version, the deformity only covers half of his face and he wears a half mask.

The decision Prince and Webber make to give the Phantom half of a mask allows them to captivate the audience even more. We can see his expressions and emotions more clearly than we can visualize it in the book. Another example of such contrast between the two versions is the Phantom’s name. Leroux named him “Erik” in the novel and in the musical, he is “The Phantom.” 

Raoul is another character in “The Phantom of the Opera” that is portrayed differently in the book as well as the stage production. In the book, he is jealous, has a temper problem and is a bit of a stalker. Why Christine fell in love with him, I may never know because he does not seem pleasant to be around. However, he did go through a lot of trials and torture to try and save Christine from Erik’s kidnapping at nearly the end of the story, so you cannot say he did not love her.

Depending on how he is portrayed in the musical, Raoul can be the biggest sweetheart and very adorable. He also has a backbone, can hold his own against the Phantom and is very much in love with Christine. The character is easy to fall in love with, but it depends on who is playing him.

Another character difference is Madame Giry. In the book, she is the ballet teacher and the Phantom’s messenger, who he pays. She does not have a large role in the novel compared to the musical adaption.

In the musical, Madame Giry is a mother figure to Christine and knows more about the Phantom than anyone in the opera house. Much like in the book, she is the ballet teacher and the Phantom’s messenger. She is also intimidating and one of the strongest women in the novel and stage version.

In Webber’s production, Madame Giry knew who the Phantom was because she visited a traveling fair he was in and never forgot him. The 2004 film gave them a slightly bigger story in regard to their past.

The person who knew the most about Erik in the novel is the Persian, who often confronts him and is an old friend. Their friendship, and Erik’s past in general, is elaborated more in the book, “Phantom” by Susan Kay.

Susan Kay’s novel, “Phantom” is the story of Erik’s life and how he came to be the Phantom. It also elaborates on his and Christine’s relationship and how he came to be her teacher. The ending is very different from the stage version and original book.

*Spoilers for the ending of the book and musical*

The biggest difference between the two versions is the ending. In the book, Erik dies of a broken heart after letting Christine and Raoul leave. In the musical, once they are free, the Phantom disappears from under his cloak and no one knows where he went.

Personally, I prefer the musical’s ending. It is not as sad and gives the Phantom a chance to start over. It left the future for the Phantom, Christine and Raoul wide open, with a touch of mystery and a stunned audience. Ah, the magic of theater.

*End of spoilers*

If you are a fan of the “Phantom of the Opera” musical, then you will like the novel. If you have not seen the stage version, the best way to view it is to buy the 25th anniversary on DVD or Blu-Ray. The 2004 movie of the same name is good too, but it does not have the same magic the show has.

I have been a “Phan” for years and I think “Phantom” is one of the best musicals of all time. If you have not seen it, you are missing out, there is something in it for everyone.